This club has been created because we couldn't find any illustration club matching our point view on this subject. Of course there are several clubs concerning this subject but most of them are dedicated to a specific genre.
Rules and Guidelines
Your deviantART gallery must contain a sensible quantity of illustrations not only a couple of them. We keep the right to not accept a deviant who doesn't accept these guidelines.
Mangas, comics illustrations are accepted as long as they are "illustration like" . Thank you for your comprehension.
How to Join
If you would like to be part of this club, just send a NOTE with the title Join, tell us a bit about yourself and wait patiently for an answer from us. After we have submitted some of your work the next step is to be added to our MemberList. Please do not leave request comments on the main page as we may not notice them!
It would be highly appreciated that you place our icon in your signature or journal. Tell your friends about us!
How to Submit Illustrations
To submit a deviation, you must send a Note entitled "Submission", with the link of your own deviation.
It could happen that we refuse if our gallery is getting to full or your work doesn't correspond with our definition of illustrations.
We will always put the link of your illustration in our deviation description. We will always request that favourites will have to be given on YOUR deviation. If you want us to add a special description, then please add it with the link of your deviation in the "submission" note.
By sending us notes with links to works to submit, you agree and give us the permission to post it under this account. All the notes with submissions request will be saved as proof that certifies it.
All mediums are welcomed: digital, collage, mixed media, paint, pen & ink, pastel, silkscreen & fabric, watercolor, color pencil, pencil/graphite.
If you have any question or suggestions please send us a note.
Peter Lodinski | Maarten Z | Nagdabl
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Illustrators-Club
I've made my submission!
3 works 3!! (by the moment)
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Construction - Destruction. References and creation. These are just some of the items of Contemporary Art, post-utopic, in its eternal quest for the point of no return, in between that limit of the iconoclast and the skills of bringing out its poiesis.
Therefore, with what we know as Art History, it has pointed out to various ways of production. Lonely creators; emerging groups - all kinds and types have always been there - from the underground culture to the highest elite. Recently, visual arts (especially in Brazil) gained strong outlines from economic influence, from powerful contacts and strategic associations or from enduring concepts.
Even so, within the universe of arts, what is left to be explored? The creative groundbreaking comes from the dark places in its own sense from the more translucent radicalism, or else, without fascist mannerisms. And also we have to consider the ability of time and place observations.
This is the art of Erik Thurm. His works are a skinned portrait of this post-utopia, post-contemporary age, accepting its influences, which bring back far more complex manners of dealing with the visual, the plastic, to give a raw and crude answer to the readings of our place in History.
Strongly influenced by the names like Kurt Schwitters, Robert Rauschenberg and Dave McKean, Thurm valuates his own output, his own essence to reflect then in a number of forms through unique and selected works from these masters.
The using of Collage is fortified in this kind of production diverse elements exposing our narcissistic and fragmented aspect of reality. The self created through random and fused pieces, as the vision of this information overloaded world which molds our own vanity and our own concepts, once made of wood, paper, fashion and the classical. Thurm becomes then the narcissus of the myth; but instead of superbly sneaking himself, he detaches his self to a frightening and uncovered making, not plowing himself into the lake but to the chaos of the modern world.
At sometimes, his dark and somber vision proposes a clear allusion to the demands of our era, where on the threshold of numberless compositions, we are all in the search of a reality to compose us. But which one is this reality? Everything is ethereal and smoked screened, almost a prism of realities. In this manner - picking and choosing the elements - Erik Thurm forges his works, de-constructing to rebuild. Demolishing to lift again and creating throughout confusion. Aiming at pictorial and platonic desires, but getting in return the unsteadiness of this post-utopia where all is allowed and still transforms the narcissus in assembled paper cut fragments (over an external leitmotiv) without individual control.
Danilo Corci, editor of Speculum Magazine (www.speculum.art.br)
About the artist:
Erik Thurm was born in October, 1974 in the city of Jundiaí, State of São Paulo, Brazil. He is Bachelor in Arts and lived in the United Kingdom and in Germany. Back in Brazil, the artist is now preparing himself for his first individual exhibition.
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Erik Muller Thurm
keep on the great selection of works
(Mine not included of course)
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sweet gallery
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"To argue with a person who has renounced the use of reason is like administering medicine to the dead." Thomas Paine
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"To argue with a person who has renounced the use of reason is like administering medicine to the dead." Thomas Paine
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Take a look at our gallery, you'll find all kind of example back there. ^
*Curious*
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"To argue with a person who has renounced the use of reason is like administering medicine to the dead." Thomas Paine
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psssssssssssst!!!!!!!!!!! its me....
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